- Although texts crosswise meter have portrayed women in show of a duality surrounded by good and bad, it is oftentimes unclear exactly how composers feel about that dichotomy. To what extent atomic number 18 the composers of the texts you have studied ambivalent towards their pistillate characters? - Many texts across time have portrayed their women in terms of a dichotomy between good and bad, or stark(a) and malicious. However, it is frequently unclear how the composers feel about that dichotomy, and the women can be seen as both good and bad, depending on the opinions of each toffee-nosed reader. This blurring of the line separating the good and bad women is evident in examples such as actors assistant intermediate by William Makepeace Thackeray, The Taming of the Shrew by William Shakespeare, and Sense and Sensibility by Jane Austen. Out of those three texts, William Makepeace Thackerays toilet table Fair stands out as the strongest example of a composers ambivalency towards their effeminate characters. In vanity Fair, Thackeray often remarks about his feminine characters, or having other characters comment on them. The dichotomy between virtuous and vixenish is most unclear regarding the main female characters of the novel, Becky disconnected and Amelia Sedley. Becky Sharp, compared to Amelia Sedley, is portrayed as the bad woman.
She speaks her mind, she is not terrified of men, and she does somewhat(prenominal) she has to do to climb up the social ladder of Vanity Fair, e.g. flirting with men in front of her husband Rawdon, to encroach on status. She uses people if she sees fit, such as ingratiatin! g herself with the Sedleys, thievery Amelias jewellery, and exit when she sees that she has no chance marrying Jos Sedley, but not forrader she has gotten some money from the sympathetic Mr. Sedley using her status as an orphan... If you compulsion to get a full essay, order it on our website:
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